Jerry Reed Hubbard (1937–2008), universally known as Jerry Reed, was a multifaceted American talent: a Grammy-winning singer, hit songwriter, character actor, and above all, one of the most innovative and influential fingerstyle guitarists in country music history. His unique blend of country, blues, and rockabilly, coupled with a distinctive playing style often called “The Claw,” earned him widespread admiration and a dedicated following. Beyond his musical prowess, Reed was also a recognizable face in Hollywood, most notably for his role as the truck-driving sidekick Cledus “Snowman” Snow in the “Smokey and the Bandit” film series.

Solo Guitar Music Production: The Master of “The Claw”

Jerry Reed’s solo guitar production stands as a testament to his groundbreaking approach to the instrument. While he was a formidable singer and songwriter, his instrumental guitar pieces are where his genius truly shines, defining a style that set him apart from his contemporaries, including even his close friend and mentor Chet Atkins.

Reed’s signature technique, often referred to as “The Claw,” was an aggressive, rhythmic, and highly percussive fingerstyle. He used a thumbpick for the bass notes and often his index and middle fingers (sometimes also his ring finger) for intricate melodic and rhythmic patterns. Unlike the more flowing and melodic approach of Atkins, Reed’s style was characterized by its raw energy, driving rhythm, and often a “chicken pickin’” quality that incorporated muting and snapping of the strings.

Reed’s playing was deeply rooted in syncopation. He expertly manipulated rhythm, often placing notes just off the beat, creating a dynamic and exciting feel. His solos were not just about notes but about the interplay of rhythm and melody, making them feel incredibly alive and unpredictable.

He frequently incorporated open string licks and adapted banjo rolls to the guitar, giving his playing a unique, almost banjo-like sparkle and drive. These elements contributed to the intricate and often blistering speed of his solos.

While capable on steel string, Reed often favored nylon string guitars for his intricate fingerstyle work, which allowed for a warmer tone and facilitated his percussive techniques.

Many of Reed’s most famous instrumental pieces, such as “The Claw,” “Jerry’s Breakdown,” and “Struttin’,” were meticulously crafted to showcase his unique technique. They are not merely improvised solos but fully composed pieces that challenge and inspire fingerstyle guitarists worldwide.

Despite being instrumental, his guitar pieces often told a story or evoked a strong mood. They could be humorous, intense, or deeply soulful, reflecting his charismatic personality.

Reed’s innovative fingerstyle laid groundwork for many modern guitarists across country, rock, and even jazz fusion. His influence is profound, pushing the boundaries of what was thought possible on an acoustic guitar.

Certified Guitar Player (C.G.P.)

Jerry Reed was one of the exclusive few to be personally honored by Chet Atkins with the prestigious “Certified Guitar Player” (C.G.P.) title. This recognition, bestowed upon Reed during Atkins’ lifetime, was a testament to Atkins’ immense respect for Reed’s groundbreaking contributions to guitar playing and his unparalleled skill. It placed Reed among an elite group of guitarists deemed by Atkins to have reached the pinnacle of instrumental mastery and innovation.

Selected Discography of Jerry Reed

Jerry Reed’s discography is vast, encompassing numerous studio albums, collaborations, and compilations across his decades-long career. Here’s a selection of his notable works, often featuring his distinct guitar work alongside his vocals:

• 1967 – The Unbelievable Guitar and Voice of Jerry Reed
• 1968 – Nashville Underground
• 1969 – Jerry Reed Explores Guitar Country
• 1970 – Cookin’
• 1970 – Me & Jerry (with Chet Atkins)
• 1971 – When You’re Hot, You’re Hot
• 1972 – Smell the Flowers
• 1972 – Me & Chet (with Chet Atkins)
• 1973 – Lord, Mr. Ford
• 1974 – The Uptown Poker Club
• 1975 – Mind Your Love
• 1976 – Both Barrels
• 1977 – East Bound and Down (features songs from “Smokey and the Bandit”)
• 1977 – Gator (Soundtrack)
• 1979 – Half & Half (features both vocal and instrumental selections)
• 1980 – Jerry Reed Sings Jim Croce
• 1982 – The Bird
• 1982 – She Got the Goldmine (I Got the Shaft)
• 1983 – Ready
• 1992 – Sneakin’ Around (with Chet Atkins)
• 1995 – Flyin’ High
• 2000 – Finger Dancing
• 2006 – Let’s Git It On

Jerry Reed’s Original Compositions Which Became Fingerstyle Standards

Jerry Reed’s genius extended to composition, with several of his instrumental pieces becoming essential “standards” in the fingerstyle guitar repertoire. These tunes are widely studied, performed, and revered for their complexity, innovation, and characteristic “Reed” sound.

• “The Claw”: Arguably his most famous instrumental composition, “The Claw” is a virtuosic showcase of his aggressive fingerstyle, complex rhythms, and unique “claw” technique. It’s a rite of passage for many aspiring fingerstyle guitarists.
• “Jerry’s Breakdown”: A high-energy, banjo-influenced piece that demonstrates his incredible speed, precision, and mastery of hybrid picking (combining pick and fingers). It’s a challenging and rewarding piece to learn.
• “Struttin’”: Another signature instrumental that embodies his funky, rhythmic approach to fingerstyle. It features intricate syncopation and a driving groove.
• “Swarm’n”: A piece that highlights his use of open string licks and banjo-roll patterns, creating a vibrant, buzzing sound.
• “Blues Land”: A composition that showcases his deep roots in the blues, filtered through his distinctive fingerstyle lens.
• “Stumpwater”: A unique and quirky instrumental that often combines his signature rhythms with a slightly more laid-back, yet still intricate, feel.
• “My Gypsy Heart”: A more melodic and perhaps reflective original composition that demonstrates his broader musicality beyond pure technical flash.
• “Nervous Breakdown”: A fast-paced and technically demanding piece that lives up to its name with its intricate lines and rapid-fire execution.
• “Funky Junk”: A groovy, rhythmic instrumental that showcases his ability to create a “funky” feel with just an acoustic guitar.

These compositions not only defined Jerry Reed’s unparalleled instrumental voice but also significantly expanded the possibilities and vocabulary of fingerstyle guitar, ensuring his lasting legacy.