Tutorial and tab of Eu Sei Que Vou Te Amar from the album “Le Genié De Baden Powell” (1974). Dropped D tuning (D A D G B E)
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About “Eu Sei Que Vou Te Amar”
“Eu Sei Que Vou Te Amar” (I Know I’ll Love You) is one of Bossa Nova’s true gems, an intense and melancholic love song born from the brilliant collaboration between Antônio Carlos Jobim (music) and Vinicius de Moraes (lyrics).
Brief History of the Song
“Eu Sei Que Vou Te Amar” was composed in 1959, emerging during the golden era when Jobim and Vinicius were shaping the distinctive sound of Bossa Nova. The song is an ode to eternal love, even if destined to suffer, and to “saudade”—a uniquely Brazilian feeling of longing and melancholy for something cherished or lost.
The lyrics, a veritable declaration of love in verse, express the certainty of an indissoluble bond, even while acknowledging the pain and absence it might entail. Its beauty and profound emotion have made it one of Brazil’s most performed and beloved songs, often featured in wedding ceremonies.
“Eu Sei Que Vou Te Amar” by Tom Jobim
In 1976, Vinicius de Moraes and Toquinho released an Italian version titled “Io so che ti amerò,” with lyrics by Sergio Bardotti, included in their album La voglia, la pazzia, l’incoscienza, l’allegria. This version highlights the song’s international impact. Georges Moustaki also created a French version, “Tu sais je vais t’aimer.”
“Io so che ti amerò” sung by Ornella Vanoni & Vinicius De Moraes
Interpretations by Various Artists
“Eu Sei Que Vou Te Amar” has seen an impressive number of interpretations by major Brazilian and international artists, solidifying its status as a classic. Among the most notable performers are:
- Antônio Carlos Jobim: As co-composer, his rendition is, of course, a primary reference point.
- Vinicius de Moraes: Often performing in duets or with guitar accompaniment, he made his lyrics famous.
- João Gilberto: The “father” of Bossa Nova helped popularize the song’s essence with his unique style.
- Maysa: One of the earliest and most iconic Bossa Nova singers, she imbued the song with deep emotional resonance.
- Toquinho: A frequent collaborator of Vinicius de Moraes, he performed various interpretations, including the Italian version.
- Maria Creuza: Her voice delivered a memorable rendition.
- Caetano Veloso: The renowned Brazilian singer-songwriter introduced the song to new generations.
- Ana Carolina: A contemporary voice in Brazilian music who has offered her own take on the track.
- Quarteto em Cy: A vocal group that masterfully highlighted the song’s harmonies.
- Henri Salvador: The French guitarist and comedian was one of the first Europeans to sing Bossa Nova, including the French version of this song.
- Gloria Estefan: She also recorded the French version.
- Mademoizelle Fizz: A jazz singer from Quebec, she created a bilingual version (French and Portuguese).
- Ornella Vanoni: Collaborated with Toquinho and Vinicius de Moraes on the Italian version “Io so che ti amerò.”
“Eu Sei Que Vou Te Amar” by João Gilberto
“Eu Sei Que Vou Te Amar” by Toquinho
“Eu Sei Que Vou Te Amar” by Paulinho Nogueira
About Baden Powell
Roberto Baden Powell de Aquino (1937-2000), universally known as Baden Powell, was one of the most celebrated and influential Brazilian guitarists and composers of his time. His name is a tribute to the founder of scouting, Robert Baden-Powell. He explored his instrument to its fullest potential, playing it in a distinctive and unique way, incorporating virtuosic classical guitar techniques with popular and swing harmonies.
Baden Powell traversed and fused a wide range of musical styles, including bossa nova, samba, Brazilian jazz, Latin jazz, and MPB (Música Popular Brasileira). His live performances and extensive discography, produced both in Brazil and Europe (particularly France and Germany), attest to a lasting and successful career.
His music is characterized by an unmistakable blend of Afro-Brazilian influences (such as Candomblé, Umbanda, and Capoeira), samba rhythms, choro, Brazilian folk, and jazz and classical sounds (including Villa-Lobos, Bach, and Scarlatti). His collaboration with the poet and lyricist Vinicius de Moraes gave rise to many of the cornerstones of bossa nova and Brazilian popular music.
Baden Powell Live At Rio Jazz Club (1990)
Selected Discography
Baden Powell’s discography is vast and includes numerous acclaimed albums. Here are some of his most notable works:
- Apresentando Baden Powell e Seu Violão (1961)
- Um Violão na Madrugada (1961)
- À Vontade (1963)
- Baden Powell Swings with Jimmy Pratt (1963)
- Le Monde Musical de Baden Powell (1964) (also released as Fresh Winds)
- Os Afro-Sambas de Baden e Vinícius (with Vinicius de Moraes, 1966)
- Tempo Feliz (1966)
- Ao Vivo no Teatro Santa Rosa (live, 1966)
- Tristeza on Guitar (1966)
- Poema on Guitar (1968)
- Canto on Guitar (1970)
- Solitude on Guitar (1971)
- Images on Guitar (1973)
- Estudos (1974)
- Apaixonado (1975)
- Nosso Baden (1980)
- Simplesmente (1980)
- Melancolie (1985)
- Seresta Brasileira (1988)
- Rio das Valsas (1994)
- Live in Hamburg (1995)
- Live in Rio (1996)
Notable Original Compositions (solo or with Vinicius de Moraes):
- Samba Triste (1959, with Billy Blanco): Often considered his first successful composition, a melancholic piece that helped define his style.
- Os Afro-sambas (with Vinicius de Moraes, from the eponymous 1966 album): A cycle of songs that merges samba with elements of Afro-Brazilian culture and religion. Among these, the most famous include:
- Canto de Ossanha
- Canto de Xangô
- Canto de Iemanjá
- Bocoché
- Tempo de Amor
- Tristeza e Solidão
- Lamento de Exu
- Consolação (with Vinicius de Moraes): One of his most beloved bossa nova pieces, characterized by poignant harmony and melody.
- Samba da Bênção (with Vinicius de Moraes): Another classic that expresses a sense of gratitude and spirituality.
- Abraçaõ em Madrid: An instrumental piece showcasing his virtuosity and melodic sensibility.
- Braziliense: A track that captures the rhythmic essence of Brazil.
- Casa Velha: A composition evoking a sense of nostalgia and tradition.
- Horizon: Demonstrates his ability to create evocative atmospheres.
- Imagem: A lyrical and evocative piece.
- Lotus: A delicate and contemplative melody.
- Samba (general, refers to various pieces bearing this title or incorporating the rhythm)
- Simplesmente: A composition that blends simplicity with emotional depth.
- Valsa do Amor Que Não Vem (with Vinicius de Moraes): Another splendid composition that garnered significant recognition.
- Berimbau (with Vinicius de Moraes): An iconic piece that incorporates the sound and rhythm of the berimbau, a symbolic instrument of capoeira.
- Manhã de Carnaval (Popular Arrangement and Performance): Although not his original composition (written by Luiz Bonfá and Antônio Maria for the film “Black Orpheus”), his interpretation and arrangements of this song are among the most famous and greatly contributed to his renown.
About Tom Jobim
Antônio Carlos Brasileiro de Almeida Jobim (January 25, 1927 – December 8, 1994), better known as Tom Jobim, was a Brazilian musician, composer, songwriter, arranger, and singer. He is widely regarded as one of the founding fathers of bossa nova and a pivotal figure in Brazilian popular music. In his home country, he was affectionately known as “O Maestro” (The Maestro). Jobim left behind an immense musical legacy, influencing both Brazilian music and international jazz.
Tom Jobim – Interview (1981)
He began his musical studies in his teens, dedicating himself to composition and learning to play the flute and guitar, although he initially studied architecture. His career gained significant momentum, especially after his 1956 meeting with poet Vinicius de Moraes, with whom he collaborated on the soundtrack for the play “Orfeu da Conceição,” later adapted into the celebrated 1959 film “Orfeu Negro” (Black Orpheus).
Tom Jobim live with Vinicius de Moraes, Toquinho & Miucha
His compositions have been performed by countless world-renowned artists, and his songs have accumulated millions of plays.
Selected Discography of Tom Jobim
- The Composer of Desafinado, Plays (1963)
- The Wonderful World of Antonio Carlos Jobim (1965)
- Love, Strings and Jobim (1966)
- A Certain Mr. Jobim (1967)
- Wave (1967)
- Francis Albert Sinatra & Antonio Carlos Jobim (1967)
- Stone Flower (1970)
- Matita Perê (1972)
- Jobim (1973)
- Elis & Tom (with Elis Regina) (1974)
- Miúcha & Tom Jobim, Vol. 1 (1977)
- Urubu (1976)
- Terra Brasilis (1980)
- Passarim (1987)
- Antonio Brasileiro (released posthumously in 1995)
Some of his Most Notable Songs:
- AGarota de Ipanema (The Girl from Ipanema)
- Chega de Saudade (No More Blues)
- Desafinado (Slightly Out of Tune)
- Corcovado (Quiet Nights of Quiet Stars)
- Águas de Março (Waters of March)
- Insensatez (How Insensitive)
- Samba de uma nota só (One Note Samba)
- Wave
- Água de Beber
- Dindi
- A Felicidade
- Ligia
- Luiza
- Eu sei que vou te amar
- Vivo Sonhando (Dreamer)
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